Boolie’s Blog

This is a re-edit of a picture that’s already been online for years, taken in the first week of January of 2001. In fact, it was one of my earliest pictures from when I switched to digital in Christmas of 2000.

It was near sunset at Baskett Slough as I waited to see if black-tailed deer would emerge into the golden light, but none were forthcoming so I headed back to the car to try my luck at one of the ponds before the light slipped away. By the time I got there, I was disappointed to see that the direct light was already blocked from the pond and thought my chances of getting a good picture were over. Then I noticed this great blue heron against the brilliant orange reflection of the sunset and shot a whole sequence as he slowly moved around.

Speaking of pictures from Yellowstone in 2004, this white pelican soared overhead while I walked the cliffs above Yellowstone Lake along Storm Point Trail. I had seen a flock of them earlier on the nearby (and aptly named) Pelican Creek Trail, my first ever glimpse of white pelicans.

I would get my third glimpse at Ridgefield when a small flock rested there for a bit before continuing their migration.

Another barn swallow picture from two months ago, the male brought in some building material (this time, sans mud).

Adobe just released an updated version of their raw file converter, with some new options for color profiles. I’m playing around with a few new and older images like this one to test out the changes. So far I like what I see.

The bigger news for me was the release of the second major version of Lightroom, which seems to address some of the problems that kept me from purchasing the first version. To test out the eval version, I’d like to sort and edit some images from Yellowstone in 2004 and 2005, which are ripe for a re-editing anyway.

It’s exciting to see how far the software tools have come since my first days of digital photography in December of 2000. It’s also exciting to see how far computers have evolved, the difference between my little MacBook and the desktop I was using back then is astonishing.

Following up the previous post about photographing a marsh wren that closed its eyes, the top picture here was literally the next picture in the sequence, so by taking a short burst I got a nice picture even if the first picture didn’t turn out quite like I hoped.

The rest of the pictures are of the same bird on the same cattail, taken with slightly different backgrounds (either because I moved or the wind moved the bird). I was trying to capture the colors of this tiny little marsh in the background, the green of the grasses and the browns of the cattails, but also took a few pictures with a cleaner mostly green background.

When putting pictures on my web site, I have to winnow down the similar pictures into one or two selects. I had more than these four to choose from, but these are representative of the others. In this case, even though I like them all, the second is probably my favorite, followed by the fourth.

The pictures were all taken from a footbridge on Ridgefield’s Kiwa Trail, I had gone to photograph some barn swallows that were building a nest under the bridge, but this little wren showed up as well and proved an irresistible target.

This year I focused on photographing one of my favorite parts of the spring, the singing of the songbirds. I was fortunate enough this year to get some nice singing pictures of yellow-headed blackbirds, red-winged blackbirds, song sparrows, savannah sparrows, and marsh wrens.

One trick was to find a location where the birds often visited and that had a background that I liked, then to wait (and wait and wait) to get lucky enough to get the right pose in the right light. My cameras are a few generations old and don’t have enough burst depth to capture the whole song, so by watching the birds for a while I learned the right part of the song to start shooting and capture their most expressive pose — the hard part was forcing myself to wait once the bird started to sing.

Even then I wasn’t guaranteed a good picture. Birds have a semi-transparent nictitating membrane (like a third eyelid) that they can sweep back from the front of their eye to either clean or protect the eye. On a windy day, you’re much more likely to accidentally photograph it as the birds protect themselves from flying debris. This can either cause the eye to look cloudy or even reflect the surroundings such as a blue sky, making the birds look otherwordly.

It all happens so fast that you won’t realize it’s happened until you look at the picture. An SLR camera has a brief blackout period when the mirror flips up to expose the sensor, and what looked like a perfect picture when you tripped the shutter might not be so perfect after all.

Wind causes other problems, especially for birds like this marsh wren that are perched on flimsy plants. The wind can blow them out of frame or at least out of focus, and will certainly change the background you’ve carefully selected.

A singing marsh wren presents one other problem — they often close their eyes near the peak of their song. Fortunately I do have enough burst depth on my camera to take a handful of pictures pretty quickly, so even though the little wren shut its eyes in this picture, I still came home with a handful of lovely pictures.